Bespin Ballads

Silly Verse Series, 8/?

I’ll include one more from the Star War Poems series, this one in pastiche of Rudyard Kipling’s “Danny Deever” (1890).

Bespin Ballads

“Why was Lord Vader running by?” the Stormtroopers all said.
“To pay me now, to pay me now,” said Bounty Hunter Fett.
“What makes you look so smug, so smug?” the Stormtroopers all said.
“I’ve got my job and my revenge,” said Bounty Hunter Fett.
For they’re carboniting Solo, you can hear John Williams play,
Up in Bespin’s Cloud City they are freezing him today.
He has made our good Hutt Jabba mad as ev’n Huttese can’t say,
So they’re carboniting Solo in the morning.

— Tamara Vardomskaya, 2015.

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Space Fever

Silly Verse Series, 7/?
 
And to continue the Star Wars theme, because I’m actually watching the new film today, here is another pastiche from the Star War Poems series from Ecdysis Vol. 6, 2015, whose first appearance some of you may recall. John Masefield gets my apologies.

Space Fever

I must go out to space again, to the space where I feel alive.
And all I need is a fast ship, and a working hyperdrive,
And a blaster on my hip before, and a Wookiee friend beside me,
And secret compartments beneath the floor, for when the Imperials chide me.

I must go out to space again, for the sight when stars turn to lines
Is the loveliest sight in the Galaxy (and many of them were mine).
And all I need is a fair game, and a good straight fight,
And a reputation to match my name, and no carbonite.

I must go out to space again, to the life that is bold and free,
Where no one cares for the Empire, and the Empire knows not me.
And all I need is an asteroid where Destroyers dare not go,
And someone to tell me that they love me, and I will reply, “I know.”

— Tamara Vardomskaya, 2015.

An Imperial Stormtrooper Foresees His Death

Silly Verse Series, 6/?

In honour of the Star Wars movie coming out today, here is a pastiche from my Star War Poems series that appeared in Ecdysis in 2015.  This one is, of course, making W. B. Yeats roll in his grave.

An Imperial Stormtrooper Foresees His Death

I know that I shall meet my fate
Beyond the Galaxy above.
Rebels I fight, I do not hate,
Empire I guard, I do not love.
My planet is Mos Eisley Cross,
My folk its scum and villainy.
No likely end can bring them loss
Or make them happier or more free.
No law nor duty bade me fight,
Not Vader, nor Coruscant yon;
A lonely impulse of delight
Led me to put white armour on.
I balanced all, brought all to mind:
A waste of breath seemed future’s course,
A waste of breath the years behind,
And there’s no balance to the Force.

— Tamara Vardomskaya, 2015.

Orchestral Jabberwocky

Silly Verse Series, 5/?

At the beginning of undergrad, I came across a website of parodies of “Jabberwocky,” and promptly decided to do one of my own. This one came out as a homage to my experience in high school orchestra and string ensemble. Particularly in its only slightly anonymized portrayal of our music teacher and conductor Ms. Trudy Bradley, who was famed for (a) making food metaphors at every rehearsal; (b) associating people’s faces with instrument, position, and many details of personal life but never their names; (c) making the orchestra a chocolate sheet cake with Smarties (Canadian Smarties candy, which are very much like M&Ms) after successful performances. The quotations are directly taken from life. I hope she is enjoying her retirement.

Orchestral Jabberwocky

‘Twas pre-performance, and the clarinets
Were squeaking like banshees out of hell;
The trumpets were out-shouting the cornets
And the piano was flat as well.

“Beware Mozart’s 40th, concertmaster!
The notes are easy, the expression tough!
Some parts you rush faster and faster;
Some parts you don’t go fast enough.”

He put the chinrest ‘neath his chin
And everyone tuned to his A;
So rested he with his violin
And waited for the violas to play.

And as the conductor moved her stick
The violas came in, right on time.
They weren’t too slow, they weren’t too quick;
They were, in fact, sublime.

And on they played; they never strayed
From the baton’s one two three four.
The audience began to dance
And called for an encore.

“Did you hear THAT? Wasn’t that great?
Hurray for, um, violin boy!
We’ll have to bake a chocolate cake!”
The conductor cried for joy.

‘Twas post-performance, and the clarinets
Squeaked again like banshees out of hell;
The trumpets were out-shouting the cornets
And the piano was flat as well.

— Tamara Vardomskaya, 2003

A Christmas Wish To A Worst Enemy

‘Tis the season to recall a “fun assignment” we had in Grade 9 English for Christmas — the assumption of ubiquitous landlines shows its age. I never did hand it in, but I sure had fun with it. (The final pastiche on “Have A Very Happy Holiday,” my friends and I had made up back in Grade 5 or 6.)

A Christmas Wish To A Worst Enemy

After you’ve dragged in the Christmas tree
(Outside it’s minus fifty-three)
And set it up all prettily
With all those glass balls and doilies too,
All fragile as Cinderella’s shoe,
And take a step back to the side
To admire it with a smile of pride
And have everyone round say “Ooh!”…
May it just wobble round and round
And finally come toppling down
Complete with a crashing sound
To wake all in the nearest town.

May every two minutes by the clock
Your phone ring in a tone designed to annoy
To find Great Aunt Melissa Crock
Exclaiming in great bliss and joy:
“Oh, you must hear about my find!
This little darling of delight!
To tell you I’ve got half a mind…
But no! You must wait for the sight!
It is just right for Uncle Joe
And Cousin Cindy! Can’t you see her?!…”
You let out a moan of anguish and woe
As you slam down the receiver
Only to be forced again to talk
In two more minutes by the clock.

When all of this seems to be over
May a dreadful howling ensue
And: “Oh no! Listen! Poor dear Rover!
Who’ll take him outside? Oh, you!”
And off you’ll trudge into the dark,
Into the blizzard, dark and drear,
With poor dear Rover to the park,
Enjoying some more Christmas cheer
While snow never seems to cease
(I told you it was minus fifty-three degrees.)

After Rover answered Nature’s call
And you crawl in, all frozen dumb,
May you think outside best of all
For now – COMPANY HAS COME!!!
You put up a valiant, losing fight
But you are forced to sing “Silent Night”
Accompanied, when it comes to that,
By Uncle Joe’s bass (four tones flat)
And Aunt Ann screaming like a scalded cat.

Dinner fills the house with its smell –
You’d rather face all Dante’s Hell.
The dining room’s adorned with Christmas cheer –
“Abandon all hope, ye who enter here.”
“Turkey’s on the table, look!”
Yes, and Cousin Cindy was the cook,
It is therefore safest to stay
Fifteen kilometres away
But you have to eat it anyway
(You must eat all before you set
According to the rules of etiquette.)

By the time Aunt Melissa’s lemon tarts are seen
Your stomach feels like it has gangrene,
You turn a shade of bread-mould green,
You choke on the bowl of your spoon
And tumble to the floor in a swoon.

And when you’re lying in bed with an aching head –
I hope you realise, all the same,
That all this tormentation
Is all for calling me a name
Unfit for publication.

Have a very dreadful holiday,
May your home be filled with awfulness,
May your Christmas be a dreadful day
For everyone you hate and curse,
May your troubles be enormous ones,
May your faults be much worth mentioning,
May your New Year be the very worst it possibly could be!

— Tamara Vardomskaya, December 1999

Quoth The Raptor

Silly Verse Series, 3/?

This pastiche is more recent, composed for the second issue of the Ecdysis fanzine in 2014. I decided to be ridiculously silly and write a pastiche of Poe’s “The Raven” involving dinosaurs, time travel, Doctor Who references, and the opportunity to rhyme “Saurornitholestes,” which does not come every day.

Quoth The Raptor

Once upon the late Cretaceous, when the theropods predaceous
Roamed the plains of vast Alberta for delicious hadrosaur,
I was bending, groaning, drubbing, but my time machine was stubborn,
And despite all of my rubbing, it would not return to war.
I was growing quite concerned now, for I feared tyrannosaur.
Only that, and nothing more.

Ah, distinctly I’m recalling, it was spring, the rain was falling,
The corythosaurs were calling to the mates they would adore.
Eagerly I wished repair, but alas, I lacked a spare
Flux capacitor to bear the load of going yet before.
“Cursed piece of junk!” I glared. “Will I feed a carnosaur,
Or be choked by meteor?”

As I nodded, nearly croaking, suddenly I heard a knocking
As of some strong avian critter rapping on my Tardis door.
“Surely,” sighed I, “surely best is it’s some Saurornitholestes,
For velociraptors rest in peace in Asia, long before.
Bird or beast, I dare not test this wall’s resistance any more.
Grab my gun; unbar the door.”

Open then I flung the shutter when, with many a flirt and flutter
In stepped a dromaeosaurid of the Mesozoic of yore.
Not the least obeisance made he; not an instant stopped or stayed he,
But, with mien of lord or lady, strode up to me, where he bore
Dragging in his terrible-clawed foot, — a flux capacitor!
I was mute for minutes more.

Much I marvelled this ungainly fowl to bear me gifts so plainly
Which had no possible place in Mesozoic days of yore.
Was there some ill-starred Time Master whom unmerciful disaster
Followed fast and followed faster to this time and to this shore?
To help my posthuman kindred, if they live and aid implore,
Or to flee the carnosaurs?

The door shut; and yet this raptor bore no ill towards its captor
When I asked it, “Worthy theropod, whence came you to this door?”
Trying to process this strange vision, I was plagued with indecision —
Was it stolen from my humans, this advanced device it bore?
But I heard an altered Anglic voice from the dromaeosaur:
Quoth he, “6034.”

“Far into your future ages, dino uplift all the rage is.
I’m a time traveller too, though you’re three thousand years before.
I came back for my kin’s traces, to bring them to the sentient races
And my time machine is parked over on yonder river’s shore —
And your primitive machine could use my spare capacitor…
So I brought one to your door.”

Much I marvelled at this greeting and the wonder of this meeting.
But there was no time to lose, this time when yonder treads tyrannosaur.
With Saurornitholestes lifting, my machine got humming swiftly,
Though he muttered at how primitive I and my people were.
I asked how could I return his loan of flux capacitor.
Quoth he, “Time cap—“
Then, a roar.

The tyrannosaurs were here, and they had no sense of fear,
But believed that we should show respect to elders ever more.
Promptly, then, I floored the pedal, with no thought to pause or settle — And ignoring that the setting was to 6034.
I awoke. Above me waiting, smiling, my dromaeosaur.
’Twas his time. I was of yore.

The uplifted beasts are flitting; in the Tardis queue I’m sitting,
But ’tis years before I get my flight to 3054.
I try being staunch and stoic; but I miss the Mesozoic
Where the culture shock was lesser, and the simple beasts were more.
Six millennia of practice making bureaucracy a chore —
I’d rather face a tyrannosaur.

—Tamara Vardomskaya, February 2014

Ode To The Sine Wave

Silly Verse Series, 2/?

Due to demand, I will pull silly poems I have written up from my archives. This one was composed in Grade 11, while helping a friend with a frustrating math unit project on sine waves (which involved attempting to plot them in Excel, and getting nonsense due to some trick of Microsoft). I went and wrote a hyperbolic ode. I am still fond of it.

Ode to the Sine Wave

Glorious sine wave! Thou art the most fair
Of functions engraved on the Cartesian plane,
Reminding all those in the Trough of Despair
That the Crest of Good Fortune will uplift us again.

Your rule is imposed on the waves of the ocean,
The moon and the galaxies up in the sky,
History, money, the heights of emotion –
They all salute you as they cycle by.

Blessed is thy look and name to our reverent lip and eye
And only immortal hands may frame thy fearful symmetry.
Great are by thy beauty graced axes where you dwell,
Even when you are ravaged and defaced by the brutish Excel,

With grace you entwine
The horizontal line,
At no point do you end and at no point begin.
Glory be thine,
Function serpentine,
Wave of the sine,
Image of SIN!

— Tamara Vardomskaya, March 2002.